The fictional (and not so fictional) story focuses on the fate of the Vilnius city shuttle buses and the anecdotal mystifications related to it. In short, the play is about how the contents of one garage, i.e. the details and the vehicles, raise the question "Where has Stasys (i.e. the owner of the garage) gone?" And then the stage action transforms into a lo-fi film with elements of black humour and farce, about the Evil that is destroying Vilnius, creating its colourless face and at the same time killing Stasys. A collage of news columns, anecdotal mystifications, urban legends and authorial fantasies constructs the social, cultural and political landscape of Vilnius, where the action revolves in one way or another around one well-known villain. Who is Nosferatu and where has Stasys gone?